Africa Dolce e Selvaggia: A Shocking Documentary on the Tribal Customs of North Africa
Africa Dolce e Selvaggia, also known as Shocking Africa, is a 1982 Italian documentary film directed by Alfredo and Angelo Castiglioni. The film is part of the controversial genre of mondo films, which depict sensationalized and often staged scenes of exotic cultures and practices.
The film focuses on the fast disappearing tribal customs of North Africa, such as circumcision, female genital mutilation, scarification, tattooing, body painting, animal sacrifice, and ritual dances. The film also shows some scenes of violence, such as a camel being slaughtered and a man being buried alive.
The film has been criticized for its exploitative and voyeuristic approach, as well as for its lack of historical and cultural context. Some critics have also questioned the authenticity and ethics of some of the scenes, accusing the filmmakers of manipulating and provoking their subjects.
Despite its controversial nature, the film has also been praised for its cinematography and music. The film was shot in 16mm by Antonio Climati, who had worked with Franco Prosperi and Gualtiero Jacopetti in many mondo films. The film's soundtrack was composed by Franco Godi, who also scored many films by Federico Fellini.
Africa Dolce e Selvaggia is a rare and hard-to-find film, which has never been officially released on DVD or Blu-ray. However, some copies of the film can be found online as torrents, which are files that can be downloaded using peer-to-peer networks.
Africa Dolce e Selvaggia is part of the Savage Trilogy, a series of three mondo films produced by Franco Prosperi and directed by Antonio Climati and Mario Morra. The other two films are Ultime grida dalla savana (1975), also known as Savage Man Savage Beast, and Savana violenta (1976), also known as This Violent World.
The Savage Trilogy is considered to be one of the most extreme and graphic examples of the mondo genre, which emerged in the 1960s with films such as Mondo Cane (1962) and Africa Addio (1966). The mondo genre was influenced by colonialism, exoticism, and sensationalism, and aimed to shock and fascinate Western audiences with images of violence, sex, and death from around the world.
The mondo genre has been widely criticized for its ethical and aesthetic issues, such as racism, sexism, exploitation, fabrication, and manipulation. However, some scholars have also argued that the mondo genre can be seen as a form of cultural critique, exposing the hypocrisy and brutality of Western civilization.
Africa Dolce e Selvaggia is a controversial and provocative film that challenges the viewers to question their own assumptions and prejudices about other cultures and practices. It is also a testament to the diversity and complexity of human societies and traditions.
Africa Dolce e Selvaggia is also a rare and valuable document of the cultural heritage and diversity of North Africa, which has been threatened by colonialism, modernization, and globalization. The film captures some of the rituals and ceremonies that have been practiced for centuries by various ethnic groups and tribes, such as the Berbers, the Tuaregs, the Fulani, and the Dogon.
The film also shows some of the natural beauty and wildlife of North Africa, such as the Sahara desert, the Atlas mountains, the Nile river, and the pyramids. The film also features some of the music and art of North Africa, such as the Gnawa music, the Malian blues, and the rock paintings.
Africa Dolce e Selvaggia is a film that invites the viewers to explore and appreciate a different and fascinating world, while also confronting them with some of the ethical and moral dilemmas of documentary filmmaking. It is a film that challenges and stimulates the senses and the mind. aa16f39245